London Independent School of the Year 2024 - ISP Awards

"Virtually every parent would say they want their daughter to develop into a happy and confident young woman. At Notting Hill and Ealing they make it happen."

- Good Schools Guide

“Pupils are highly motivated to succeed and are exceptionally focused in their attitudes to learning.”

- ISI 2022

"We believe that Sixth Form should be the most interesting, enriching and academically demanding years of your school life. Each year, pupils join us with the intellectual spark and curiosity to take advantage of everything NHEHS has to offer, and leave with the drive and determination for their next adventure."

Registration deadlines:

Junior School

4+ Reception - 18/10/2024
7+ Year 3 - 06/12/2024

Senior School

11+ - 08/11/2024

Sixth Form

16+- 31/10/2024

“Pupils are highly motivated to succeed and are exceptionally focused in their attitudes to learning.”

- ISI 2022

"We believe that being part of a community matters, it involves reaching out to volunteer, raising funds for causes we care about, and sharing our spaces to build meaningful relationships. These collaborations are mutually enriching and enable our students to create connections beyond the school gates."

- Mr Matthew Shoults, Headmaster

History of Art Reps’ Art London Gallery Recommendations for the Holidays

Our History of Art Reps, Orla P and Helena E, have come up with a fantastic list of galleries to visit during the Christmas holidays and beyond, which you can read here: History of Art Reps – Gallery Guide December 2024

Helena visited the Tate Modern to take in one of the recommendations, which she writes about below:

On the 23rd November, I travelled to Tate Modern to see the latest Turbine Hall installation, Open Wound by Mire Lee. She wanted the Turbine Hall to represent the inside of a body, with an industrialised, factory-like atmosphere. When you first enter Tate Modern, you are welcomed with an abundance of over-hanging fabric sculptures, and these were particularly striking as the wind from the entrance doors is enough to make them swing mid-air. As you move deeper into the Turbine Hall, the focal point of the artwork is revealed – a suspended seven-metre long turbine. It rotated slowly and dripped a muddy, red liquid, and I found it fascinating how Mire Lee tried to recreate an ‘open wound’ with the use of silicone tubes. The installation was extremely immersive, and I found myself staying for longer than I would have imagined, so I highly recommend visiting it before it leaves Tate Modern on March 16th 2025!

 

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